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<title>Robert Reginald (ed) - Free Library Land Online - Historical</title>
<link>https://historical.library.land/</link>
<language>ru</language>
<description>Robert Reginald (ed) - Free Library Land Online - Historical</description>
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<title>To the Stars and Beyond</title>
<guid isPermaLink="true">https://historical.library.land/robert-reginald-ed/730861-to_the_stars_and_beyond.html</guid>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/robert-reginald-ed/to_the_stars_and_beyond.jpg"><img src="https://picture.graycity.net/img/robert-reginald-ed/to_the_stars_and_beyond_preview.jpg" class="fr-fic fr-dib" title ="To the Stars and Beyond" alt ="To the Stars and Beyond"/></a><br//><div><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">In Damien Broderick's haunting tale, "The Meek," the survivors of humanity's drive toward racial suicide must pay an awful price for their continued survival. John Glasby's "Innsmouth Bane" tells how the alien entity Dagon first came to nineteenth-century America. In "Helen's Last Will," James C. Glass shows us that death may not always be "the end." Charles Allen Gramlich's "I Can Spend You" is a futuristic western which puts prospecting in a whole new light!</p><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; "><b>contents</b></p><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">In Damien Broderick’s haunting tale, “The Meek,” the survivors of humanity’s drive toward racial suicide must pay an awful price for their continued survival. John Glasby’s “Innsmouth Bane” tells how the alien entity Dagon first came to nineteenth-century America. In “Helen’s Last Will,” James C. Glass shows us that death may not always be “the end.” Charles Allen Gramlich’s “I Can Spend You” is a futuristic western which puts prospecting in a whole new light!</p><p></p><p><span class="Apple-style-span" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">“The Voice of the Dolphin in Air,” by Howard V. Hendrix, is a poignant tale of life and death on Mars and the LaGrange space stations. </span></p><p><span class="Apple-style-span" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">In Philip E. High’s “This World Is Ours,” David Hacket is given the task of revitalizing a declining city (and world), and finds himself facing an alien invasion. </span></p><p><span class="Apple-style-span" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">James B. Johnson’s “The Last American” is fighting to preserve the memory of the old U.S. of A.—in a last stand at the Alamo! </span></p><p><span class="Apple-style-span" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">In “Small World: A Small Story,” by Michael Kurland, Vanspeepe invents a new transportation device, hoping to change the world—and he does!</span></p><p><span class="Apple-style-span" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">“The Channel Exemption: A Sime~Gen Story,” by Jacqueline Lichtenberg, focuses on the tensions between Sime and Gen when a mixed party of humans is stranded on an alien planet. Gary Lovisi’s tale, “My Guardian,” tells how mankind is finally able to put an end to wars and mass killings. “Black Mist,” by Richard A. Lupoff, is a stunning mystery set at a Japanese research station on the Martian moon, Phobos. Don Webb, in his fascinating tale, “The Five Biographies of General Gerrhan,” demonstrates how easy it is for the professional writer to (mis)interpret, deliberately or otherwise, the story of a space hero.</span></p><div style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; "><br></div><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; "></p><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; "><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif">“Introduction: 37 Divided by 3,” by Robert Reginald, is published here for the first time. Copyright © 2011 by Robert Reginald.<br></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“The Meek,” by Damien Broderick, was originally published in Synergy SF: New Science Fiction, ed. by George Zebrowski, Five Star, 2004. Copyright © 2004, 2011 by Damien Broderick.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“Innsmouth Bane,” by John Glasby, was originally published in H.P. Lovecraft’s Magazine of Horror #2, 2005. Copyright © 2005, 2011 by John Glasby.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“Helen’s Last Will,” by James C. Glass, was originally published in Analog, March 2008. Copyright © 2008, 2011 by James C. Glass.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“I Can Spend You,” by Charles Allen Gramlich, was first published in Strange Days, Vol. I, No. 5, 1992. Copyright © 1992, 2011 by Charles Allen Gramlich.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“The Voice of the Dolphin in Air,” by Howard V. Hendrix, was originally published in Starshore #2, Fall 1990, and reprinted in Human in the Circuit: Collected Stories, by Howard V. Hendrix, Borgo Press, Wildside Press, 2011. Copyright © 1990, 2011 by Howard V. Hendrix.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“This World Is Ours,” by Philip E. High, was originally published in Fantasy Adventures 13, ed. by Philip Harbottle, Wildside Press, 2008. Copyright © 2008, 2011 by the Estate of Philip E. High.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“The Last American,” by James B. Johnson, was originally published in The Magazine of Fantasy &amp; Science Fiction, February 1990. Copyright © 1990, 2011 by James B. Johnson.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“Small World,” by Michael Kurland, was originally published in Two Views of Wonder, ed. by Thomas N. Scortia and Chelsea Quinn Yarbro, Ballantine Books, 1973. Copyright © 1973, 2011 by Michael Kurland.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“The Channel’s Exemption,” by Jacqueline Lichtenberg, was originally published in Galileo Magazine, #4, July l977. Copyright © 1977 by Jacqueline Lichtenberg; Copyright © 2011 by Sime~Gen Inc.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“My Guardian,” by Gary Lovisi, is published here for the first time. Copyright © 2011 by Gary Lovisi.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“Black Mist,” by Richard A. Lupoff, was originally published in Omni Online, April 1995. Copyright © 1995, 2011 by Richard A. Lupoff.<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">“The Five Biographies of General Gerrhan,” by Don Webb, was originally published in Science Fiction Age, January 1997. Copyright © 1997, 2011 by Don Webb.</span></font></p></div>]]></description>
<category><![CDATA[Robert Reginald (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 26 Feb 2011 21:46:07 +0200</pubDate>
</item><item>
<title>More Whodunits</title>
<guid isPermaLink="true">https://historical.library.land/robert-reginald-ed/730860-more_whodunits.html</guid>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/robert-reginald-ed/more_whodunits.jpg"><img src="https://picture.graycity.net/img/robert-reginald-ed/more_whodunits_preview.jpg" class="fr-fic fr-dib" title ="More Whodunits" alt ="More Whodunits"/></a><br//><div><p class="description" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">Sixteen great reads for another night of crime and punishment!</p><p class="description"></p><pre><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;"><b>Table of Contents</b></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;"><br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">COPYRIGHT INFORMATION<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">DEDICATION<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">INTRODUCTION, by Robert Reginald<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">CHAMBER OF CENTURIES, by John Russell Fearn<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">HE COULDN’T FLY: AN ALEXANDER BRASS STORY, by Michael Kurland<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE BLUE-EYED BANDIT, by Lonni Lees<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE FENTON ART GLASS MURDER, by Gary Lovisi<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">TRIPTYCH, by Richard A. Lupoff<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">TOM CRUISE’S TIGHTIE-WHITIES, by William Maltese<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE AFFAIR OF THE MIDNIGHT MIDGET, by Ardath Mayhar<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">TATTOO, by A. R. Morlan<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">OCCAM’S RAZOR, by Robert Reginald<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">SOME UNPUBLISHED CORRESPONDENCE OF THE YOUNGER PLINY, by Darrell Schweitzer<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE GARDENS OF TANTALUS, by Brian Stableford<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE PRAETOR, by Aurel Stancu<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE GRAY MONK, by Gerald Verner<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE DIVORCE, by Don Webb<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE MYSTERY OF THE MISSING METEOR FIELD CARROTS, by Lois June Wickstrom and Lucrecia Darling<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE WISH IN THE FEAR, by George Zebrowski</span></font></pre></div>]]></description>
<category><![CDATA[Robert Reginald (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 26 Feb 2011 21:46:05 +0200</pubDate>
</item><item>
<title>Whodunit?</title>
<guid isPermaLink="true">https://historical.library.land/robert-reginald-ed/730859-whodunit_.html</guid>
<link>https://historical.library.land/robert-reginald-ed/730859-whodunit_.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/robert-reginald-ed/whodunit_.jpg"><img src="https://picture.graycity.net/img/robert-reginald-ed/whodunit__preview.jpg" class="fr-fic fr-dib" title ="Whodunit?" alt ="Whodunit?"/></a><br//><div><p class="description" style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; ">Ten great reads for a lonely night of thrills and chills!</p><p class="description"></p><pre><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;"><b>Table of Contents</b></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;"><br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">DEDICATION<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">INTRODUCTION, by Robert Reginald<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">DOG PIT, by John Gregory Betancourt<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE BOOK MISER, by Sydney J. Bounds<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE PURPLE GLOVE MURDERS, by Mary Wickizer Burgess<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">EGGS, by Victor Cilinc?<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE CASE OF THE TELBURY HALT GHOST, by Ernest Dudley<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">THE ADVENTURE OF THE FORGOTTEN UMBRELLA, by James Phillimore as told to Mel Gilden<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">VIVACIOUS VIXENS!, by Michael Hemmingson<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">IN THE LIGHT OF WHAT HAPPENED, by Francis Jarman<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">FLANKSPEED, by James B. Johnson<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">BLOOD BAYOU, by Arlette Lees<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">ACKNOWLEDGMENTS<br></span></font><font class="Apple-style-span" face="'MS Shell Dlg 2', sans-serif"><span class="Apple-style-span" style="font-size: 14px;">ABOUT THE AUTHORS</span></font></pre><div style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 14px; "><br></div></div>]]></description>
<category><![CDATA[Robert Reginald (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 26 Feb 2011 21:46:04 +0200</pubDate>
</item><item>
<title>Yondering</title>
<guid isPermaLink="true">https://historical.library.land/robert-reginald-ed/433910-yondering.html</guid>
<link>https://historical.library.land/robert-reginald-ed/433910-yondering.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/robert-reginald-ed/yondering.jpg"><img src="https://picture.graycity.net/img/robert-reginald-ed/yondering_preview.jpg" class="fr-fic fr-dib" title ="Yondering" alt ="Yondering"/></a><br//><div><p class="description">This is one of a series of anthologies of science fiction and mystery stories by Borgo Press writers that are being distributed at cost as both ebooks and paperback volumes. The first volume in the sequence, Yondering, includes a baker's dozen of original and reprint tales by fourteen writers.  <p class="description">In "The Quills of Henry Thomas," W. C. and Aja Bamberger give us a glimpse of a future in which music is composed through DNA computing. <p class="description">"The Gizzard Wizard" is Rory Barnes's delightful sequel to his young adult SF novel, Space Junk. <p class="description">John Gregory Betancourt's engaging "The Darkfishers" envisions a shanghaied Earth colony stranded on the back of a huge crustacean on an ocean planet. <p class="description">Sydney J. Bounds, in "Guinea Pigs," portrays a future dominated by cutthroat corporations.  <p class="description">"Outside Looking In," by Mark E. Burgess, takes the "world in a bottle" theme--and turns it upside down. <p class="description">Victor Cilinca's "Siegfried" demonstrates the folly of taking those "primitive" aliens too lightly. <p class="description">Michael R. Collings's "The Calling of Iam'Kendron" is a stirring prequel to his epic science-fantasy novel, Wordsmith. <p class="description">In Arthur Jean Cox's "Evergreen," we find that long life is not always what it's cracked up to be.  <p class="description">Award-winning author Jack Dann depicts, in "Mohammed’s Angel," an all-too-plausible future in which cultures, sensibilities, and terrorist acts are inextricably mixed. <p class="description">"Ultra Evolution," by John Russell Fearn, is a cautionary tale about the advancement of man—not always a good thing! <p class="description">Sheila Finch's "Miles to Go" is the moving story of a wheelchair marathoner faced with a crucial decision. <p class="description">Mel Gilden relates mankind's first encounter with aliens in "The Little Finger of the Left Hand." <p class="description">Last, and certainly not least, Ardath Mayhar's poignant "The Next Generation" shows the human race forced to make a crucial decision about its survival.</div>]]></description>
<category><![CDATA[Robert Reginald (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 27 Nov 2013 18:06:56 +0200</pubDate>
</item><item>
<title>Once Upon a Future</title>
<guid isPermaLink="true">https://historical.library.land/robert-reginald-ed/421074-once_upon_a_future.html</guid>
<link>https://historical.library.land/robert-reginald-ed/421074-once_upon_a_future.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/robert-reginald-ed/once_upon_a_future.jpg"><img src="https://picture.graycity.net/img/robert-reginald-ed/once_upon_a_future_preview.jpg" class="fr-fic fr-dib" title ="Once Upon a Future" alt ="Once Upon a Future"/></a><br//><div>Once Upon a Future: The Third Borgo Press Book of Science Fiction StoriesThis is one of a series of anthologies of science fiction and mystery stories by Borgo Press writers that are being distributed at cost as both ebooks and print-on-demand volumes. This third volume in the sequence, Once Upon a Future, includes a dozen original and reprint tales by twelve writers. Jean Lorrah’s “Best of Friends” is a key tale in the Sime~Gen sequence, being set just after the implementation of the treaty that allowed Simes and Gens to live together peaceably. In “Best-Laid Plans,” by William Maltese, a pair of professional fighters is selected for a new mission—but not the one they thought! A. R. Morlan’s “Boog’/4 and the Endicaran Kluge” is an interesting psychological tale set on a multi-generational spaceship to the stars. Edward R. Morris can pronounce “Game Over” only when his protagonist escapes the game world in which he’s trapped. Charles Nuetzel’s “The Talisman” demonstrates that “free” is sometimes too high a price to pay for a gift. Patricia Wardon discovers that “Saving Jane Austen” (by Robert Reginald) is not as easy as it sounds. A starving author’s agent discovers a new market for subsidiary rights in Pamela Sargent’s amusing “All Rights.” Darrell Schweitzer’s “The Fire Eggs” just appear one day, everywhere on Earth, but what are they—and what purpose do they serve? “The Skin Trade,” by Brian Stableford, is one of a series of tales that explores the future of biotechnology, particularly as applied to the human form. In “The Space City,” by Doru Tatar, Grig investigates the massacre of a group of androids. E. C. Tubb’s “Agent” only wants to make money peddling his clients’ talents, but the licensees desire something entirely different! George Zebrowski’s “The Water Sculptor” fashions sculptures from ice in his isolated satellite home orbiting Earth. Twelve great stories by a dozen great writers!**</div>]]></description>
<category><![CDATA[Robert Reginald (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Sun, 27 Nov 2011 01:09:41 +0200</pubDate>
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