This riotous account of "the family unit" was a smash hit in Europe, Canada, and England. In the Times Literary Supplement, author Margaret Atwood (The Handmaid's Tale) praised Barbara Gowdy's novel as surprising and delightful, containing moments "at the same time preposterous and strangely moving." The Canary family guards many secrets, including the mystery of tiny daughter, Joan, who was dropped on her head at birth and has never spoken. Joan plays the piano like Mozart, yet has never had a lesson. The outrageous hilarity rises into a climax that creates a stunning new definition of family togetherness.Gowdy's “delightfully quirky novel”(New York Times Book Review) about an oddball Toronto family is “so brilliantly crafted and flat-out fun to read that she makes sinners of us all” (Washington Post Book World). A Publishers Weekly Best Book of the Year.

From Barbara Gowdy’ s groundbreaking collection We So Seldom Look on Love comes “ Body and Soul,” an inspiring, beautiful story about the families we make for ourselves.Hailed as “ remarkable and uplifting” by The Globe and Mail, Gowdy’ s debut collection We So Seldom Look on Love was published to much acclaim around the world. Its eight stories push past the limits of convention into lives that are fantastic and heartbreakingly real.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

Hailed as a remarkable collection of short stories when it was first released in 1992, We So Seldom Look on Love is Barbara Gowdy's wholly original and powerful look at what constitutes the ever-revolving realm of love.

A ground-breaking novel about the porous boundaries of intimacy and consciousness, and the possibility of forgiveness.Thunderstorms are rolling across the summer sky. Every time one breaks, Rose Bowan loses consciousness and has vivid, realistic dreams about being in another woman's body. Is Rose merely dreaming? Or is she, in fact, inhabiting a stranger? Disturbed yet entranced, she sets out to discover what is happening to her, leaving the cocoon of her family's small repertory cinema for the larger, upended world of someone wildly different from herself. Meanwhile her mother is in the early stages of dementia, and has begun to speak for the first time in decades about another haunting presence: Rose's younger sister. In Little Sister, one woman fights to help someone she has never met, and to come to terms with a death for which she always felt responsible. With the elegant prose and groundbreaking imagination that have earned her...

When she is nine-years-old, Louise Kirk’s mother disappears, leaving a note that reads only--and incorrectly--"Louise knows how to work the washing machine." It is not long before a strange couple and their adopted son, Abel, move in across the street. Louise quickly grows close with the exotic Mrs. Richter, but saves her stronger, more lasting affections for Mrs. Richter’s intelligent son. From this childhood friendship evolves a love that will bind Louise and Abel forever, and though Abel moves away and Louise matures into adulthood, her attachment grows dangerously, fiercely fixed.From Publishers WeeklyIn her previous novels (The White Bone; Mr. Sandman; etc), Gowdy's imagination blazed new trails, melding bizarre characters into memorable situations. This novel is as beautifully written as its predecessors, but more traditional than the Canadian writer's usual fiction. She examines the mysteries of love and its absence in two damaged children whose adult lives remain shadowed by their early experiences. In the early 1960s in Toronto, when she is 10, narrator Louise Kirk falls in love with a new neighbor boy named Abelard, the adopted son of the Richter family. Louise's mother, a former beauty queen who said things like, "Nobody would believe you're my daughter," abandoned Louise and her passive father a year ago, and Louise prays that the Richters will adopt her, too. Louise has oceans of love to lavish and focuses all her psychic and emotional energy on Abel, who can't bear the weight of it because he is more fragile than she is. She remains obsessed with Abel even after his family moves away, and on the night he briefly reappears, when she is in high school, she conceives his child. But the curious, tender boy she knew has become an alcoholic, taking refuge in Rimbaud and determined to end his life. The narrative moves back and forth in time, spinning out the story of the doomed relationship. Each of the characters, even minor ones, has a unique voice and a vivid, quirky personality. Louise's need to have Abel create the world for her resonates with unfulfilled passion. In reining in her imagination to the limits of a conventional love story, Gowdy has produced her most haunting and sensitive novel to date.Copyright 2003 Reed Business Information, Inc. From BooklistLouise Kirk has loved Abel Richter since they were children, but it was his mother who drew her affection first. At 10, a year after Louise's own mother left her and her father, the Richters, an older couple with an adopted son, move in next door. Louise watches Mrs. Richter longingly from a distance, wishing she would adopt her as well. Louise befriends Abel in order to get to Mrs. Richter, but her love soon transfers to the solitary, sensitive boy. The connection between the two flourishes, and Louise never stops thinking about Abel, even when he moves away. It is his return, when they meet at a high-school party, that marks the beginning of their adult relationship--an attachment Louise thinks will be permanent, especially when she discovers she is pregnant. But her love for Abel blinds her to his failings. Moving seamlessly between Louise's childhood, her teen years, and her present, this novel is a sad, beautiful examination of a lonely woman and her attempts to find unconditional, unwavering love. Kristine HuntleyCopyright © American Library Association. All rights reserved

The three daughters of the Field family, aged 17 to 19 are bound together by the love and protection of their fragile alcoholic mother and fear of their abusive father. In a family on the brink of madness, they learn to survive in a dangerously psychotic environment. First published in 1990, FALLING ANGELS is a gripping portrait of a family in trouble, by the author of the highly acclaimed MISTER SANDMAN.From Publishers WeeklyAfter opening on the 1969 funeral of a woman who fell or leaped from a rooftop, this narrative shifts to the 1950s; through her three daughters, we learn that she is an alcoholic who once dropped or threw an infant son over Niagara Falls. "Scrupulously and evocatively wrought, with fully formed characters, it poses but does not quite resolve a mystery rooted in character and fate," said PW. Copyright 1991 Reed Business Information, Inc. From Library JournalDisenchanted eccentrics wending their way through eerie situations seem to be the dominant theme in most of the postmodern "new fiction." Troublesome as these forays into nihilism's gloomy landscapes are, an effective work of new fiction is as bracing as a dive into a chilly pond, offering more than a few surprises with its odd meld of quirky characters and wickedly audacious scenes. Gowdy's is one such dark gem of a novel. Through a series of vignettes it charts the lives of the Field family, recounting bouts of alcoholism, neglect, and verbal abuse. A story otherwise laden with sad escapades, Fallen Angels remains lively throughout because of the inventiveness and strength of its main characters: Lou, Norma, and Sandy. These three unfortunate sisters will amaze readers with their ability to endure the many traumas of childhood and adolescence, despite the antics of their even more unfortunate parents. This coming-of-age novel is not likely to appeal to those who wear a shield of optimism.-Lauren Bielski,"Printing News"Copyright 1990 Reed Business Information, Inc.

Simon and Samuel—the two-headed man—are as different as night and day. But with one body between them, they just have to put up with each other. Or is there another way out?Hailed as “remarkable and uplifting” by The Globe and Mail and published to equally glowing acclaim around the world, Barbara Gowdy’s groundbreaking collection of stories, We So Seldom Look on Love, pushes past the limits of convention into lives that are fantastic and heartbreakingly real.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

After Marion’s mother is murdered, she feels doomed in life and in love. And just when happiness seems within reach, her new husband, Sam, reveals a secret that leaves her feeling limp, betrayed . . . but still in love. Hailed as “remarkable and uplifting” by The Globe and Mail and published to equally glowing acclaim around the world, Barbara Gowdy’s groundbreaking collection of stories, We So Seldom Look on Love, pushes past the limits of convention into lives that are fantastic and heartbreakingly real. HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

Ali’s latest creative pursuit, a self-portrait, takes her on an erotic, liberating journey, as she poses naked in front of her condo’s window to please a voyeur looking on from a building across the way.Hailed as “remarkable and uplifting” by The Globe and Mail and published to equally glowing acclaim around the world, Barbara Gowdy’s groundbreaking collection of stories, We So Seldom Look on Love, pushes past the limits of convention into lives that are fantastic and heartbreakingly real.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

A thrilling journey into the minds of African elephants as they struggle to survive. If, as many recent nonfiction bestsellers have revealed, animals possess emotions and awareness, they must also have stories. In The White Bone, a novel imagined entirely from the perspective of African elephants, Barbara Gowdy creates a world whole and separate that yet illuminates our own. For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing-not the once familiar terrain, or the age-old rhythms of life, or even memory itself-seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place. And so begins a quest through Africa's vast and perilous plains-until at last the survivors face a decisive trial of loyalty and courage. In The White Bone, Barbara Gowdy performs a feat of imagination virtually unparalleled in modern fiction. Plunged into an alien landscape, we orient ourselves in elephant time, elephant space, elephant consciousness and begin to feel, as Gowdy puts it, "what it would be like to be that big and gentle, to be that imperiled, and to have that prodigious memory."Amazon.com ReviewBarbara Gowdy has an utter affinity for the unconventional. In the title story of We So Seldom Look on Love, necrophilia is exquisite rather than execrable, and her wildly funny--and wildly affecting--novel Mister Sandman invites us into the hearts and minds of Toronto's least normal and most loving family. With The White Bone Gowdy continues her exploration of extraordinary lives, but this time human beings ("hindleggers") are on the periphery. And we're grateful when they're not around, since this gives her four-legged characters--elephants--a chance to survive.The White Bone opens with five family trees. Gowdy's pachyderms include an orphaned visionary, She-Spurns (more familiarly known as Mud), and the "fine-scenter" She-Deflates, not to mention nurse cow She-Soothes and the bull Tall Time. (Though Gowdy's nomenclature may displease some readers, Dumbo wasn't exactly an inspiring name either.) Then, before her tragic narrative even begins, Gowdy offers a second feat of empathy and imagination, a glossary of elephant language. Afflicted by premonitions and obsessed with memory and safety, these animals have terms that range from the formal to the low, the metaphorical to the deeply physical: the "Eternal Shoreless Water" is oblivion, a "sting" is a bullet, and a "flow-stick" a snake. Of course, if you have "trunk," you possess "soulfulness; depth of spirit"--something every participant in Gowdy's fourth novel desperately needs. Initially, her characters' impressions of familiar objects are amusing, but bright comedy precedes dark tragedy. Witness Mud's take on jeeps: "On their own, vehicles prefer to sleep, but whenever a human burrows inside them they race and roar and discharge a foul odour." Needless to say, such speeding tends to precede a killing fest. Alas, this is a book heavy with omens and slaughter, and Gowdy makes each elephant so individual, so conscious, that their separate fates are impossible to bear. When Tall Time, for instance, hears a helicopter, nothing, not even Gowdy's poetry, can save him: "The shots that pelt his hide feel as light as rain. It is bewildering to be brought down under their little weight." As the devastation increases, and her characters fail, and fail again, to find the magical white bone that should lead them to safety, the novel becomes a litany of pain and death. The only success is Barbara Gowdy's, in getting so thoroughly under the skin of her elephantine protagonists. --Kerry FriedFrom Publishers WeeklyGowdy, the prodigiously talented Canadian author who caused a stir with Mister Sandman and We So Seldom Look on Love, writes with such immediacy and vigor that she can take a reader almost anywhere. In this novel, however, she has chosen to inhabit the minds of a series of elephants in African desert country, and despite her great skill and the colossal effort of imaginative empathy it must have entailed, her book is hard going. For a start, as in one of those vast generational sagas, there are endless family trees to sort out, and since the elephant families are whimsically named, always after the matriarchal leaders (the She-S's, the She-B's-And-B's, etc.), the relationships are difficult to come to grips with. The book is a series of quests, carried out against the fierce odds of a frightful drought and the occasional murderous intervention of ivory-seeking "hind-leggers." Little Mud, who has visions, is crippled and seeking her family; Date Bed, a "mind talker" shot in an ambush and given up for dead, is being sought by her family; all are seeking the Safe Place, a sort of elephant heaven that is located by throwing the iconic White Bone so that it points in the right direction. There is a great deal of interesting elephant lore, about the nature of their fabulous memory, their scenting and tracking skills, their eating, drinking and fornicating habits. Without being overly anthropomorphic, Gowdy manages to individualize a number of them as having human-scale emotions, even humor; and they have religious songs (lauding the She) that sound wonderfully like Victorian hymns. But despite her skillsAperhaps even because of themAthe reader is disappointed that so talented a writer could have exerted so much effort on so unpromising a subject. 50,000 first printing; BOMC selection; author tour. Copyright 1999 Reed Business Information, Inc.

From the internationally acclaimed author of The White Bone and The Romantic, a haunting and suspenseful novel of abduction and obsessive love Nine-year-old Rachel Fox has the face of an angel, a heart-stopping luminosity that strikes all who meet her. Her single mother, Celia, working at a video store by day and a piano bar by night, is not always around to shield her daughter from the attention—both benign and sinister—that her beauty draws. Attention from model agencies, for example, or from Ron, a small-appliance repairman who, having seen Rachel once, is driven to see her again and again.When a summer blackout plunges the city into darkness and confusion, Rachel is taken from her home. A full-scale search begins, but days pass with no solid clues, only a phone call Celia receives from a woman whose voice she has heard before but cannot place. And as Celia fights her terror and Rachel starts to trust in her abductor's kindness, the only other person who knows where she is wavers between loyalty to the captor and saving the child. Will Rachel be found before her abductor's urge to protect and cherish turns to something altogether less innocent?Tapping into the fear that lies just below the surface of contemporary city life, Barbara Gowdy draws on her trademark empathy and precision to create a portrait of love at its most consuming and ambiguous and to uncover the volatile point at which desire gives way to the unthinkable.

On Sylvie’s first day of school, her mother advises her to keep Sue, an undeveloped Siamese twin, hidden under her skirt. Teased, groped and tormented by the other kids, Sylvia eventually makes her escape with a sideshow that visits her hometown. At last, she has found a place where she feels at home—until life offers her the opportunity to walk in yet another direction.Hailed as “remarkable and uplifting” by The Globe and Mail and published to equally glowing acclaim around the world, Barbara Gowdy’s groundbreaking collection of stories, We So Seldom Look on Love, pushes past the limits of convention into lives that are fantastic and heartbreakingly real.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

Emma and Gerry’ s lives are changed forever by a tragic accident. He responds by letting himself go; she, by throwing herself into unsatisfying love affairs. But neither can fill the space left by what happened.Hailed as “ remarkable and uplifting” by The Globe and Mail and published to equally glowing acclaim around the world, Barbara Gowdy’ s groundbreaking collection of stories, We So Seldom Look on Love, pushes past the limits of convention into lives that are fantastic and heartbreakingly real.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

“Sometimes Beth floated. Two or three feet off the ground, and not for very long, ten seconds or so.” Gifted eleven-year-old Beth believes she can cure her hydrocephalic playmate Helen if they just chant hard enough. But are their words enough?Hailed as “remarkable and uplifting” by The Globe and Mail and published to equally glowing acclaim around the world, Barbara Gowdy’s groundbreaking collection of stories, We So Seldom Look on Love, pushes past the limits of convention into lives that are fantastic and heartbreakingly real.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.